“GROUP EXPERIMENTS n02”: an exhibition presented by the MARGIN OF ERAS GALLERY, NOVEMBER 2019


For our second experiment, we explore feelings of alienation, vulnerability and comfort. When do we feel loved? What makes us feel safe? And how do we cope when we feel a loss of control?


Results to be determined.


Curated by Roya DelSol

Chloe Kirlew & Tiana Smith

HARD TO LOVE, 2018

Video, Single Channel

10 minutes

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HARD TO LOVE

by Chloe with Tiana Smith


HARD TO LOVE follows the stories of five Black individuals as they candidly discuss the complexities of loving while Black, as well as their intersecting identities that at times make them feel "hard to love". It's about honest storytelling, empathetic listening, and the ability to hold judgement-free space. HARD TO LOVE shows us that every experience contributes to the raw and unfiltered Black experience, which is as diverse Black people themsleves.


Com(e)fort(h) you are loved

by Chason Yeboah


Com(e)fort(h) you are loved is a direct response to the short film HARD TO LOVE. Created as a vessel for healing and used as technology for intangible cleansing, this installation explores what it means to "feel" safe. Inside it holds tangible manifestations of comfort, including the "ShameMother" created to aid in the conscious observation and embracing of shame, and a quilt created with breasts woven to acknowledge our original form of comfort.

Chason Yeboah

Com(e)fort(h) you are loved, 2019

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Chason Yeboah

Com(e)fort(h) you are loved, 2019

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Chason Yeboah

Com(e)fort(h) you are loved, 2019

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Involuntary Escapism

by Maia "Meech" Boakye


Maia “Meech” Boakye is a visual artist whose work observes the uncanny in the mundane, often looking at the domestic home and garden as a site of labour and leisure. Using a framework of the abyss, Involuntary Escapism explore how a shared experience of alienation under neoliberal capitalism can be a catalyst for political action. 

Maia "Meech" Boakye

Untitled IV, 2019

Vinyl

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Maia "Meech" Boakye

Untitled III, 2019

Vintage metal tray, silver acrylic mirror

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Maia "Meech" Boakye

Involuntary Escapism, 2019
Preserved moss, beach glass, rocks, polymer clay, egg shells, dried flowers,
found knick-knack, vintage frame, photograph of Parc des 
Buttes Chaumont, paper packaging, wooden canvas
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Maia "Meech" Boakye

Garden Whimsy Objects I, 2019
Cinderblocks, vintage serving tray, ceramic bell,

found knick-knack

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Maia "Meech" Boakye
Untitled II, 2019

Baltic birch plywood

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Maia "Meech" Boakye

Every Beautiful Thing with it’s Sinister Twin and their Offspring, 2019
Silver acrylic mirror, chain, jump rings, metal hoops,
bird cage holder
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Maia "Meech" Boakye

Every Beautiful Thing with it’s Sinister Twin and their Offspring, 2019
Silver acrylic mirror, chain, jump rings, metal hoops,
bird cage holder
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Maia "Meech" Boakye
Untitled, 2019

Silver mirrored acrylic

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Maia "Meech" Boakye
**HYPERVENTILATES**, 2019
Found image digital collage: Google Earth
screenshots above Camp Bullis Military Reservation,

Spongebob GIF

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Maia "Meech" Boakye
In a White Room by Myself I, 2019

Fineliner, drawing paper

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Maia "Meech" Boakye
In a White Room by Myself II, 2019

Fineliner, drawing paper

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Maia "Meech" Boakye
In a White Room by Myself III, 2019

Fineliner, drawing paper

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Maia "Meech" Boakye

The Conquest of Bread, 2019

Vintage metal tray

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Maia "Meech" Boakye

A Portrait of Liminal Space, 2019
Dried pressed plants, cardboard packaging, gum
wrapper drawing
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Maia "Meech" Boakye

A Portrait of Liminal Space, 2019
Dried pressed plants, cardboard packaging, gum
wrapper drawing
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Maia "Meech" Boakye
Towards Some Synchronous End, 2019

Polymer clay, wire fencing, chain, jump rings
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Maia "Meech" Boakye

Towards Some Synchronous End, 2019

Polymer clay, wire fencing, chain, jump rings
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Maia "Meech" Boakye 

Garden Whimsy Objects II, 2019
Vintage glassware, various rystals, water
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"Involuntary Escapism" by Maia "Meech" Boakye

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